https://www.snipri.com/ 2026-11-04T00:00:00.000Z https://www.snipri.com/pricing 2026-11-02T00:00:00.000Z https://www.snipri.com/blog 2026-11-05T00:00:00.000Z https://www.snipri.com/alternatives 2026-11-03T00:00:00.000Z https://www.snipri.com/features 2026-10-27T00:00:00.000Z https://www.snipri.com/tools 2026-11-03T00:00:00.000Z https://www.snipri.com/about 2026-11-03T00:00:00.000Z https://www.snipri.com/ai-info 2026-11-02T00:00:00.000Z https://www.snipri.com/contact 2026-10-27T00:00:00.000Z https://www.snipri.com/privacy 2026-11-03T00:00:00.000Z https://www.snipri.com/dmca 2026-05-21T00:00:00.000Z https://www.snipri.com/affiliates https://www.snipri.com/affiliates/cover.webp https://www.snipri.com/affiliates/cover-4x3.webp https://www.snipri.com/affiliates/cover-1x1.webp https://www.snipri.com/affiliates/link.webp https://www.snipri.com/affiliates/window.webp https://www.snipri.com/affiliates/payouts.webp https://www.snipri.com/affiliates/earnings.webp 2026-11-03T00:00:00.000Z https://www.snipri.com/affiliates/terms 2026-10-26T00:00:00.000Z https://www.snipri.com/terms 2026-10-27T00:00:00.000Z https://www.snipri.com/docs 2026-11-03T00:00:00.000Z https://www.snipri.com/docs/how-snipri-works 2026-11-02T00:00:00.000Z https://www.snipri.com/docs/make-your-first-clips 2026-11-03T00:00:00.000Z https://www.snipri.com/docs/find-your-way-around 2026-11-02T00:00:00.000Z https://www.snipri.com/docs/sign-in-and-account 2026-11-02T00:00:00.000Z https://www.snipri.com/docs/upload-a-video 2026-11-02T00:00:00.000Z https://www.snipri.com/docs/import-a-video-from-a-link 2026-11-02T00:00:00.000Z https://www.snipri.com/docs/clip-a-long-video 2026-11-02T00:00:00.000Z https://www.snipri.com/docs/choose-the-spoken-language 2026-11-02T00:00:00.000Z https://www.snipri.com/docs/choose-clip-settings 2026-11-02T00:00:00.000Z https://www.snipri.com/docs/why-a-clip-was-chosen 2026-11-02T00:00:00.000Z https://www.snipri.com/docs/near-miss-clips 2026-11-02T00:00:00.000Z https://www.snipri.com/docs/manage-your-clips 2026-11-02T00:00:00.000Z https://www.snipri.com/docs/download-clips 2026-11-02T00:00:00.000Z https://www.snipri.com/docs/edit-a-clip 2026-11-02T00:00:00.000Z https://www.snipri.com/docs/edit-the-transcript 2026-11-02T00:00:00.000Z https://www.snipri.com/docs/change-caption-style 2026-11-02T00:00:00.000Z https://www.snipri.com/docs/add-text-to-a-clip 2026-11-02T00:00:00.000Z https://www.snipri.com/docs/add-images-and-video 2026-11-02T00:00:00.000Z https://www.snipri.com/docs/add-an-intro-and-outro 2026-11-02T00:00:00.000Z https://www.snipri.com/docs/edit-the-opening-hook 2026-11-02T00:00:00.000Z https://www.snipri.com/docs/add-b-roll 2026-11-02T00:00:00.000Z https://www.snipri.com/docs/add-music 2026-11-02T00:00:00.000Z https://www.snipri.com/docs/trim-and-split-a-clip 2026-11-02T00:00:00.000Z https://www.snipri.com/docs/reframe-a-clip 2026-11-02T00:00:00.000Z https://www.snipri.com/docs/editor-keyboard-shortcuts 2026-11-02T00:00:00.000Z https://www.snipri.com/docs/set-up-your-brand-kit 2026-11-02T00:00:00.000Z https://www.snipri.com/docs/how-videos-are-counted 2026-11-02T00:00:00.000Z https://www.snipri.com/docs/plans-and-limits 2026-11-02T00:00:00.000Z https://www.snipri.com/docs/change-or-cancel-a-plan 2026-11-02T00:00:00.000Z https://www.snipri.com/docs/how-long-a-job-takes 2026-11-03T00:00:00.000Z https://www.snipri.com/docs/why-a-job-failed 2026-11-02T00:00:00.000Z https://www.snipri.com/docs/fix-an-edit-that-wont-save 2026-11-02T00:00:00.000Z https://www.snipri.com/docs/get-started-with-the-api 2026-11-02T00:00:00.000Z https://www.snipri.com/docs/manage-api-keys 2026-11-02T00:00:00.000Z https://www.snipri.com/docs/send-a-video-with-the-api 2026-11-02T00:00:00.000Z https://www.snipri.com/docs/api-clip-options 2026-11-02T00:00:00.000Z https://www.snipri.com/docs/read-jobs-and-clips 2026-11-02T00:00:00.000Z https://www.snipri.com/docs/receive-webhooks 2026-11-02T00:00:00.000Z https://www.snipri.com/docs/api-errors-and-limits 2026-11-02T00:00:00.000Z https://www.snipri.com/blog/best-time-to-post-youtube-shorts https://www.snipri.com/blog/best-time-to-post-youtube-shorts/cover.webp https://www.snipri.com/blog/best-time-to-post-youtube-shorts/report-path.webp https://www.snipri.com/blog/best-time-to-post-youtube-shorts/schedule-a-short.webp https://www.snipri.com/blog/best-time-to-post-youtube-shorts/compare-shorts.webp Finding your viewers' hours, scheduling a Short and comparing it in YouTube Studio https://www.snipri.com/blog/best-time-to-post-youtube-shorts/find-schedule-compare.webp A Short Snipri reframed from a recording of a singer plays as your Short while three steps are drawn beside it: the path to When your viewers are on YouTube, over the last 28 days; the Schedule card's date, time and time zone, with the Short turning from private to public; and four of the Content tab's Shorts metrics, Views against your typical Shorts first. The recording has no sound, so the clip has no captions; the steps, fields and metric names are drawn from YouTube's help pages, not its screens. https://www.snipri.com/blog/best-time-to-post-youtube-shorts/find-schedule-compare.mp4 15 2026-11-05T00:00:00+00:00 2026-11-05T00:00:00.000Z https://www.snipri.com/blog/youtube-shorts-size https://www.snipri.com/blog/youtube-shorts-size/cover.webp https://www.snipri.com/blog/youtube-shorts-size/upright-sizes.webp https://www.snipri.com/blog/youtube-shorts-size/shorts-dimensions.webp https://www.snipri.com/blog/youtube-shorts-size/shorts-thumbnail.webp A wide lecture, cut upright at 1080 × 1920 and exported without bars https://www.snipri.com/blog/youtube-shorts-size/upright-without-bars.webp A lecture filmed wide at 1920 × 1080, a regular video at any length; the 9:16 clip Snipri's reframe cut from it, measured at 1080 × 1920, beside a 16:9 outline turning upright; then the same clip inside a 16:9 file with black bars, which makes it a regular video, beside the clip as a 9:16 file, a Short. The recording has no sound, so the clip has no captions; the measures and the barred file are drawn. https://www.snipri.com/blog/youtube-shorts-size/upright-without-bars.mp4 14 2026-11-04T00:00:00+00:00 2026-11-04T00:00:00.000Z https://www.snipri.com/blog/how-to-clip-a-youtube-video https://www.snipri.com/blog/how-to-clip-a-youtube-video/cover.webp https://www.snipri.com/blog/how-to-clip-a-youtube-video/three-ways.webp https://www.snipri.com/blog/how-to-clip-a-youtube-video/clip-button.webp https://www.snipri.com/blog/how-to-clip-a-youtube-video/edit-into-a-short.webp https://www.snipri.com/blog/how-to-clip-a-youtube-video/snipri-clip.webp One scene clipped three ways: the Clip button, a Short and Snipri https://www.snipri.com/blog/how-to-clip-a-youtube-video/one-scene-three-ways.webp A scene from the film Meridian taken through the three ways. First in a drawn player, played to its end and back to its start as a clip loops, its 6.1 seconds marked on a scale of what a clip may be, 5 to 60 seconds; then beside the videos Edit into a Short takes and an empty frame for the Short; then as the vertical clip Snipri reframed from it, beside the file with the 9:16 window it followed. The player, its bar, the scale and the Short's frame are drawn; the captions are the film's own words, burned by Snipri's renderer. https://www.snipri.com/blog/how-to-clip-a-youtube-video/one-scene-three-ways.mp4 20 2026-11-03T00:00:00+00:00 2026-11-03T00:00:00.000Z https://www.snipri.com/blog/how-to-start-a-video-podcast https://www.snipri.com/blog/how-to-start-a-video-podcast/cover.webp https://www.snipri.com/blog/how-to-start-a-video-podcast/camera-plan.webp https://www.snipri.com/blog/how-to-start-a-video-podcast/face-size.webp https://www.snipri.com/blog/how-to-start-a-video-podcast/two-people.webp https://www.snipri.com/blog/how-to-start-a-video-podcast/record-in-4k.webp A wide shot, a two-shot and a close-up, each as Snipri's reframing cut it https://www.snipri.com/blog/how-to-start-a-video-podcast/three-framings.webp Three shots from the film Tears of Steel, from the farthest camera to the closest, each as Snipri's reframing cut it, beside the frame it came from. The wide shot's largest face is 6 to 7% of the frame's height, so the whole shot is kept; the two faces of the two-shot are 49 to 54% of the width apart, so each gets a pane; the close-up's face is about half the frame's height, so one window as tall as the frame follows it. The windows, face boxes and gauges are drawn from the worker's model, and the clips have no captions. https://www.snipri.com/blog/how-to-start-a-video-podcast/three-framings.mp4 9 2026-11-02T00:00:00+00:00 2026-11-02T00:00:00.000Z https://www.snipri.com/blog/youtube-shorts-monetization https://www.snipri.com/blog/youtube-shorts-monetization/cover.webp https://www.snipri.com/blog/youtube-shorts-monetization/revenue-path.webp https://www.snipri.com/blog/youtube-shorts-monetization/music-share.webp https://www.snipri.com/blog/youtube-shorts-monetization/partner-tiers.webp https://www.snipri.com/blog/youtube-shorts-monetization/window-2027.webp How a Short's ads reach its creator, step by step https://www.snipri.com/blog/youtube-shorts-monetization/how-shorts-pay.webp Three Shorts play with a drawn ad sliding over between them while a month's pool counts up to $100,000. Then YouTube's hypothetical example: $10,000 covers music, leaving a Creator Pool of $90,000; one cell in a hundred, 1 million of 100 million engaged views, is $900; and the creator keeps 45% of it, $405. Last, an example channel's qualified Shorts views over 90 days against the 10 million line from February 1, 2027: below it, sharing on Shorts pauses while long-form earnings go on, and above it, sharing resumes. The Shorts are real recordings passed through Snipri's reframe; everything else is drawn. https://www.snipri.com/blog/youtube-shorts-monetization/how-shorts-pay.mp4 25 2026-10-28T00:00:00+00:00 2026-11-05T00:00:00.000Z https://www.snipri.com/blog/how-long-can-instagram-reels-be https://www.snipri.com/blog/how-long-can-instagram-reels-be/cover.webp https://www.snipri.com/blog/how-long-can-instagram-reels-be/reels-length-scale.webp https://www.snipri.com/blog/how-long-can-instagram-reels-be/reel-adds-up.webp https://www.snipri.com/blog/how-long-can-instagram-reels-be/past-the-line.webp The 20-minute limit and the 3-minute line on one scale https://www.snipri.com/blog/how-long-can-instagram-reels-be/limits-and-the-3-minute-line.webp Instagram's 20 minutes and Meta's 15 for Reels ads on one scale, which then zooms into the first four minutes, where every clip length Snipri offers ends by the 3-minute line. All of it is drawn. https://www.snipri.com/blog/how-long-can-instagram-reels-be/limits-and-the-3-minute-line.mp4 9 2026-10-27T00:00:00+00:00 One reel, three clips: how the 3-minute line counts the whole reel https://www.snipri.com/blog/how-long-can-instagram-reels-be/one-reel-three-clips.webp Three clips recorded one after another fill one bar: 0:45 of a snow day, 1:30 of a walk in the rain and 1:05 on a hilltop come to 3:20, 20 seconds past the 3-minute line. Trimming 20 seconds off the end of the second clip and 10 off the third brings the same reel to 2:50. The clips are real recordings passed through Snipri's reframe; their lengths are an example, each second of the video standing for 20 of the reel. https://www.snipri.com/blog/how-long-can-instagram-reels-be/one-reel-three-clips.mp4 19 2026-10-27T00:00:00+00:00 Choosing a clip length, then One clip, in Snipri's Studio https://www.snipri.com/blog/how-long-can-instagram-reels-be/lengths-and-one-clip.webp The Clips settings in Snipri's Studio, as the app draws them, with each clip length chosen in turn and the range it stands for laid on a scale to 4 minutes: every length ends by 3:00, the line past which Instagram stops recommending a reel to new audiences. Then One clip, which keeps the part you use as a single clip of up to 10 minutes, far past that line. The ring around each choice, the scale and the bars are drawn. https://www.snipri.com/blog/how-long-can-instagram-reels-be/lengths-and-one-clip.mp4 10 2026-10-27T00:00:00+00:00 2026-10-27T00:00:00.000Z https://www.snipri.com/blog/how-long-can-youtube-shorts-be https://www.snipri.com/blog/how-long-can-youtube-shorts-be/cover.webp https://www.snipri.com/blog/how-long-can-youtube-shorts-be/shorts-length-scale.webp https://www.snipri.com/blog/how-long-can-youtube-shorts-be/short-or-regular.webp https://www.snipri.com/blog/how-long-can-youtube-shorts-be/share-watched.webp The three checks that make a Short, taken on one interview https://www.snipri.com/blog/how-long-can-youtube-shorts-be/three-checks.webp One interview through the three checks. Filmed wide, at 16:9, it is a regular video at any length, while the 9:16 clip Snipri's reframe cut from it, following the speaker's face, can be a Short. An example Short of 2:45 runs past the minute where an active copyright claim blocks a Short and stays inside 3:00. An upload on October 27, 2026 falls after October 15, 2024, the day the 3-minute rule began, and an earlier upload of 1:40 stays a regular video. The length and the dates are an example, and the scale, the dates and the checks are drawn. https://www.snipri.com/blog/how-long-can-youtube-shorts-be/three-checks.mp4 19 2026-10-27T00:00:00+00:00 Choosing a clip length in Snipri's Studio, and the share watched https://www.snipri.com/blog/how-long-can-youtube-shorts-be/limit-and-share-watched.webp First, the Clips settings in Snipri's Studio, as the app draws them, with each clip length chosen in turn and the range it stands for laid on YouTube's 3-minute scale: every length fits inside the limit, and the two longest run past the minute where an active copyright claim blocks a Short. Then the clip Snipri cut from an interview, in two players: one stands for a clip cut where its idea ends, the other for the same idea stretched to twice its length, and a viewer who leaves once the point is made watches all of the first and half of the second. The ring around each choice, the scale and the players' bars are drawn. https://www.snipri.com/blog/how-long-can-youtube-shorts-be/limit-and-share-watched.mp4 16 2026-10-27T00:00:00+00:00 2026-11-04T00:00:00.000Z https://www.snipri.com/blog/instagram-reel-size https://www.snipri.com/blog/instagram-reel-size/cover.webp https://www.snipri.com/blog/instagram-reel-size/reel-sizes.webp https://www.snipri.com/blog/instagram-reel-size/reel-shapes.webp https://www.snipri.com/blog/instagram-reel-size/reel-safe-zones.webp https://www.snipri.com/blog/instagram-reel-size/reel-length.webp Reel shapes and safe zones on a phone screen https://www.snipri.com/blog/instagram-reel-size/shapes-and-safe-zones.webp A Snipri sample clip on a 9:16 phone screen. First, each shape Instagram accepts at the screen's full width, from 1.91:1 at 29% of the height to 9:16 at all of it; then Meta's Reels ads safe zone over the clip with Snipri's captions where they burn by default, inside the bottom 35%; then the captions moved to the middle, clear of every zone. The zones and the bands outside each shape are drawn. https://www.snipri.com/blog/instagram-reel-size/shapes-and-safe-zones.mp4 24 2026-10-27T00:00:00+00:00 2026-10-28T00:00:00.000Z https://www.snipri.com/blog/open-captions-vs-closed-captions https://www.snipri.com/blog/open-captions-vs-closed-captions/cover.webp https://www.snipri.com/blog/open-captions-vs-closed-captions/open-and-closed.webp https://www.snipri.com/blog/open-captions-vs-closed-captions/caption-styles.webp https://www.snipri.com/blog/open-captions-vs-closed-captions/words-twice.webp Captions switched off: open captions stay, a closed track goes https://www.snipri.com/blog/open-captions-vs-closed-captions/captions-off.webp A radio call from the film Meridian twice: on the left with captions burned in by Snipri's renderer, on the right with the film's own caption track. Switched off, the track goes and the burned words stay; with the track over burned words, every line is on screen twice. The players and the track are drawn the way a player shows a track by default. https://www.snipri.com/blog/open-captions-vs-closed-captions/captions-off.mp4 18 2026-10-27T00:00:00+00:00 2026-10-27T00:00:00.000Z https://www.snipri.com/blog/add-captions-to-podcast-clips https://www.snipri.com/blog/add-captions-to-podcast-clips/cover.webp https://www.snipri.com/blog/add-captions-to-podcast-clips/review-order.webp https://www.snipri.com/blog/add-captions-to-podcast-clips/caption-blocks.webp https://www.snipri.com/blog/add-captions-to-podcast-clips/captions-over-leaves.webp Three caption checks: timing, the end of a cut, contrast https://www.snipri.com/blog/add-captions-to-podcast-clips/caption-checks.webp An argument from the film Tears of Steel, reframed by Snipri, with the film's own caption text burned in by Snipri's renderer. First, each word lit at the second it was spoken, beside the blocks the burn drew; then the same clip cut before its last block, so the answer “I'm freaked out!” is never heard; then the captions moved to the top in three styles, where a thin edge fades over pale leaves. The chart is drawn from the words and times Snipri burned. https://www.snipri.com/blog/add-captions-to-podcast-clips/caption-checks.mp4 25 2026-10-27T00:00:00+00:00 2026-10-27T00:00:00.000Z https://www.snipri.com/blog/how-to-make-podcast-clips https://www.snipri.com/blog/how-to-make-podcast-clips/cover.webp https://www.snipri.com/blog/how-to-make-podcast-clips/one-interview.webp https://www.snipri.com/blog/how-to-make-podcast-clips/five-checks.webp https://www.snipri.com/blog/how-to-make-podcast-clips/score-bar.webp https://www.snipri.com/blog/how-to-make-podcast-clips/decision-log.webp The same scene cut at its answer, then with its question first https://www.snipri.com/blog/how-to-make-podcast-clips/a-moment-that-stands-alone.webp Two detectives talking about a witness, in a scene from the film Meridian reframed by Snipri, with the film's own caption text burned in by Snipri's renderer. Played from 9.6 seconds, where the answer starts, it fails the context check, because a new viewer never hears the question. Played as the whole exchange, question first, it passes context and payoff. The clip and its captions are Snipri's output; the cuts were chosen for this example and the checks beside them are drawn. https://www.snipri.com/blog/how-to-make-podcast-clips/a-moment-that-stands-alone.mp4 19 2026-10-27T00:00:00+00:00 2026-11-02T00:00:00.000Z https://www.snipri.com/blog/5-best-opus-clip-alternatives https://www.snipri.com/blog/5-best-opus-clip-alternatives/cover.webp https://www.snipri.com/blog/5-best-opus-clip-alternatives/snipri-job.webp https://www.snipri.com/blog/5-best-opus-clip-alternatives/one-episode.webp https://www.snipri.com/blog/5-best-opus-clip-alternatives/free-plans.webp One episode on five clipping tools' meters, then their free plans https://www.snipri.com/blog/5-best-opus-clip-alternatives/one-episode-five-meters.webp An example episode of 60 minutes that gives 8 clips runs under a playhead, and each tool's first paid plan counts it in its own unit: Klap a clip at a time, Vizard and 2short.ai with every minute, and Snipri once, when the job comes back with clips, while Submagic's Starter plan turns it away past its 2-minute limit. Then the minutes of video each free plan takes, beside the same episode. The episode, its clips and every bar are drawn from the plans as each site listed them on October 22, 2026. https://www.snipri.com/blog/5-best-opus-clip-alternatives/one-episode-five-meters.mp4 18 2026-10-27T00:00:00+00:00 2026-10-27T00:00:00.000Z https://www.snipri.com/blog/how-to-make-youtube-shorts-from-long-videos https://www.snipri.com/blog/how-to-make-youtube-shorts-from-long-videos/cover.webp https://www.snipri.com/blog/how-to-make-youtube-shorts-from-long-videos/shorts-workflow.webp https://www.snipri.com/blog/how-to-make-youtube-shorts-from-long-videos/opening-and-payoff.webp https://www.snipri.com/blog/how-to-make-youtube-shorts-from-long-videos/reframe-window.webp https://www.snipri.com/blog/how-to-make-youtube-shorts-from-long-videos/two-layouts.webp Centre crop or reframe: a talk show's two-shot as a vertical clip https://www.snipri.com/blog/how-to-make-youtube-shorts-from-long-videos/centre-crop-or-reframe.webp The same talk show shot cut to 9:16 two ways. Fixed in the middle, the window holds the screen between the two people; Snipri's reframe cuts a window on each face and stacks them as two panes. The windows over the recording are where each clip is cut from, and the clip on the right is the one Snipri rendered. https://www.snipri.com/blog/how-to-make-youtube-shorts-from-long-videos/centre-crop-or-reframe.mp4 23 2026-10-27T00:00:00+00:00 Cropped to the face, or the whole shot kept: how Snipri fills a vertical frame https://www.snipri.com/blog/how-to-make-youtube-shorts-from-long-videos/face-or-whole-shot.webp The same two cases in motion. The host's face, 26 to 28% of the frame's height, gets one 9:16 window that follows it. The gardener's face, 3 to 4%, is under the 12% Snipri needs to crop to one person's face, so the clip keeps the whole picture. Each clip plays beside its recording, and the window, the face box and the gauge of the face's height are drawn from what Snipri's worker decided. https://www.snipri.com/blog/how-to-make-youtube-shorts-from-long-videos/face-or-whole-shot.mp4 13 2026-10-27T00:00:00+00:00 2026-10-28T00:00:00.000Z https://www.snipri.com/blog/topics/formats 2026-11-04T00:00:00.000Z https://www.snipri.com/blog/topics/captions 2026-10-27T00:00:00.000Z https://www.snipri.com/blog/topics/clipping 2026-11-03T00:00:00.000Z https://www.snipri.com/blog/topics/growth 2026-11-05T00:00:00.000Z https://www.snipri.com/alternatives/opus-clip 2026-11-03T00:00:00.000Z https://www.snipri.com/alternatives/klap 2026-11-03T00:00:00.000Z https://www.snipri.com/alternatives/vizard 2026-11-03T00:00:00.000Z https://www.snipri.com/alternatives/vidyo-ai 2026-11-03T00:00:00.000Z https://www.snipri.com/alternatives/wayinvideo 2026-11-03T00:00:00.000Z https://www.snipri.com/alternatives/2short-ai 2026-11-03T00:00:00.000Z https://www.snipri.com/alternatives/sendshort 2026-11-03T00:00:00.000Z https://www.snipri.com/alternatives/cutlabs 2026-11-03T00:00:00.000Z https://www.snipri.com/alternatives/ssemble 2026-11-03T00:00:00.000Z https://www.snipri.com/alternatives/nexus-clips 2026-11-03T00:00:00.000Z https://www.snipri.com/alternatives/spikes-studio 2026-11-03T00:00:00.000Z https://www.snipri.com/alternatives/submagic 2026-11-03T00:00:00.000Z https://www.snipri.com/alternatives/veed 2026-11-03T00:00:00.000Z https://www.snipri.com/alternatives/wisecut 2026-11-03T00:00:00.000Z https://www.snipri.com/alternatives/zubtitle 2026-11-03T00:00:00.000Z https://www.snipri.com/alternatives/munch 2026-11-03T00:00:00.000Z https://www.snipri.com/alternatives/short-ai 2026-11-03T00:00:00.000Z https://www.snipri.com/alternatives/clipgoat 2026-11-03T00:00:00.000Z https://www.snipri.com/alternatives/qlip-ai 2026-11-03T00:00:00.000Z https://www.snipri.com/features/ai-clip-maker https://www.snipri.com/features/ai-clip-maker/cover.webp https://www.snipri.com/features/ai-clip-maker/cover-4x3.webp https://www.snipri.com/features/ai-clip-maker/cover-1x1.webp https://www.snipri.com/features/ai-clip-maker/studio-options.webp https://www.snipri.com/features/ai-clip-maker/score-gate.webp https://www.snipri.com/features/ai-clip-maker/one-job.webp 2026-11-02T00:00:00.000Z https://www.snipri.com/features/auto-reframe https://www.snipri.com/features/auto-reframe/cover.webp https://www.snipri.com/features/auto-reframe/cover-4x3.webp https://www.snipri.com/features/auto-reframe/cover-1x1.webp https://www.snipri.com/features/auto-reframe/faces-per-shot.webp https://www.snipri.com/features/auto-reframe/shot-layouts.webp https://www.snipri.com/features/auto-reframe/editor-layouts.webp Auto reframe, shot by shot https://www.snipri.com/features/auto-reframe/auto-reframe-demo.webp Snipri's auto reframe on two wide recordings, shot by shot: the windows each vertical clip is cut from, the faces it tracks with their share of the frame's height, and the 9:16 clip it rendered. https://www.snipri.com/features/auto-reframe/auto-reframe-demo.mp4 18 2026-10-26T00:00:00+00:00 2026-11-03T00:00:00.000Z https://www.snipri.com/features/animated-captions https://www.snipri.com/features/animated-captions/cover.webp https://www.snipri.com/features/animated-captions/cover-4x3.webp https://www.snipri.com/features/animated-captions/cover-1x1.webp https://www.snipri.com/features/animated-captions/word-timing.webp https://www.snipri.com/features/animated-captions/caption-looks.webp https://www.snipri.com/features/animated-captions/caption-places.webp 2026-11-03T00:00:00.000Z https://www.snipri.com/features/brand-kit https://www.snipri.com/features/brand-kit/cover.webp https://www.snipri.com/features/brand-kit/cover-4x3.webp https://www.snipri.com/features/brand-kit/cover-1x1.webp https://www.snipri.com/features/brand-kit/kit-parts.webp https://www.snipri.com/features/brand-kit/kit-on-clips.webp https://www.snipri.com/features/brand-kit/kit-or-style.webp 2026-11-03T00:00:00.000Z https://www.snipri.com/features/clip-editor https://www.snipri.com/features/clip-editor/cover.webp https://www.snipri.com/features/clip-editor/cover-4x3.webp https://www.snipri.com/features/clip-editor/cover-1x1.webp https://www.snipri.com/features/clip-editor/trim-and-split.webp https://www.snipri.com/features/clip-editor/hook-rewrite.webp https://www.snipri.com/features/clip-editor/layers.webp 2026-11-03T00:00:00.000Z https://www.snipri.com/tools/podcast-clip-maker https://www.snipri.com/tools/podcast-clip-maker/cover.webp https://www.snipri.com/tools/podcast-clip-maker/cover-4x3.webp https://www.snipri.com/tools/podcast-clip-maker/cover-1x1.webp A two-person talk show, reframed to 9:16 https://www.snipri.com/tools/podcast-clip-maker/framing-demo.webp Snipri's auto reframe on a wide shot of a two-person talk show: the windows each vertical clip is cut from, the faces it tracks with their share of the frame's height, and the 9:16 clip it rendered, with a pane for each person. https://www.snipri.com/tools/podcast-clip-maker/framing-demo.mp4 17 2026-11-02T00:00:00+00:00 2026-11-03T00:00:00.000Z https://www.snipri.com/tools/interview-clip-maker https://www.snipri.com/tools/interview-clip-maker/cover.webp https://www.snipri.com/tools/interview-clip-maker/cover-4x3.webp https://www.snipri.com/tools/interview-clip-maker/cover-1x1.webp A TV interview, reframed shot by shot https://www.snipri.com/tools/interview-clip-maker/framing-demo.webp Snipri's auto reframe on three shots of a TV interview: the window each vertical clip is cut from, the face it tracks with its share of the frame's height, and the 9:16 clip it rendered across the cuts. https://www.snipri.com/tools/interview-clip-maker/framing-demo.mp4 13 2026-11-02T00:00:00+00:00 2026-11-03T00:00:00.000Z https://www.snipri.com/tools/webinar-clip-maker https://www.snipri.com/tools/webinar-clip-maker/cover.webp https://www.snipri.com/tools/webinar-clip-maker/cover-4x3.webp https://www.snipri.com/tools/webinar-clip-maker/cover-1x1.webp An online course lecture, reframed shot by shot https://www.snipri.com/tools/webinar-clip-maker/framing-demo.webp Snipri's auto reframe on two shots of an online course lecture, framed as a webinar is: a title slide kept whole, then the window that follows the lecturer, the face it tracks with its share of the frame's height, and the 9:16 clip it rendered. https://www.snipri.com/tools/webinar-clip-maker/framing-demo.mp4 20 2026-11-02T00:00:00+00:00 2026-11-03T00:00:00.000Z https://www.snipri.com/tools/long-video-to-shorts https://www.snipri.com/tools/long-video-to-shorts/cover.webp https://www.snipri.com/tools/long-video-to-shorts/cover-4x3.webp https://www.snipri.com/tools/long-video-to-shorts/cover-1x1.webp A talk to camera, reframed for Shorts https://www.snipri.com/tools/long-video-to-shorts/framing-demo.webp Snipri's auto reframe on a landscape recording of a talk to camera, filmed outdoors: the window the vertical clip is cut from, the face it tracks with its share of the frame's height, and the 9:16 clip it rendered. https://www.snipri.com/tools/long-video-to-shorts/framing-demo.mp4 11 2026-11-02T00:00:00+00:00 2026-11-03T00:00:00.000Z https://www.snipri.com/tools/youtube-clip-maker https://www.snipri.com/tools/youtube-clip-maker/cover.webp https://www.snipri.com/tools/youtube-clip-maker/cover-4x3.webp https://www.snipri.com/tools/youtube-clip-maker/cover-1x1.webp A lecture from YouTube, reframed to 9:16 https://www.snipri.com/tools/youtube-clip-maker/framing-demo.webp Snipri's auto reframe on a physics lecture its author published on YouTube: the window the vertical clip is cut from as it follows the lecturer along the board, the face it tracks with its share of the frame's height, and the 9:16 clip it rendered. https://www.snipri.com/tools/youtube-clip-maker/framing-demo.mp4 18 2026-11-02T00:00:00+00:00 2026-11-03T00:00:00.000Z